Watch Me: Seventh Son, and the awesome queen performance

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I've been intrigued by the story and movie entitled Seventh Son, directed by Sergei Bodrov, back in 2014. Where I first knew about the movie through an interview with Julianne Moore and that it's not her normal role to portray, which was a villain. Something that made me fascinated on how she would do was quite worth it.

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Medieval times rang with the stench of high belief in magic and fantasy, where the good and evil had no fine line since they had physical manifestation, especially the evil. Welcome the realm of Seventh Son where being a hunter of evil, a warrior of light, is a real and practically the most dangerous job of all time.

The film focuses on the folklore of "the seventh son of a seventh son", where the seventh son holds a prowess strong enough to be comparable to witches, trolls, and other supernatural monsters of their time. John Gregory, the last Spook, is on a quest to rid the world of the revived witch queen Mother Malkin. His quest brought him to the life of Tom Ward, a teenage herds boy, who has the ability to see visions, the seventh son of the seventh son, and an eager soul to get out of his country life yearning for an adventurous one.

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Yep, my purpose to see Julianne Moore to portray the villain, Mother Malkin, was worth every penny (forgive my irony for this statement).

Folklore's and medieval themed fantasy movies are always a good taste for my fiction loving tongue. Complete with dragons, mystical shape shifter's, and the sprinkle of simple olden times life, always stirs a nice soup of imagination for my brain.

The choice for the casting feels like not my cup of tea though, especially the lead roles for Gregory and Tom, although they grow into you as the story goes by. Even the young witch lover for Tom, Alice, was quite a pick. Maybe the re-write of the story, from the original books under author Joseph Delaney, might have to do with the unusual personalities the actors portrayed. Or maybe I'm just looking for a good justification of some of the blandness I find during the course of their dialogues, acting and story.

Either way, it doesn't pull down the good parts of the film, from it's unusual dry humour in between everything and the fierce Julianne Moore witch queen. Yes, this is a blatant fan girl to her portrayal, even the moments that she would show her human side due to the hurt she had experienced (I couldn't guess well if it was the same with the book, since I have a hunch it became that to a certain point for ex-machina reasons in re-writing the story from the book) was superbly fitting to the character she wants to shape the queen into.

The rushed parts and elements of the story was melded well, in comparison to some book to movie ones I've watched, where you could clearly say that there was a missing chunk of progress lacking for the characters growth to come a full circle. The only thing I could say that was forced was the romance for Tom and Alice's part, as they used the density (destiny) excuse for the ultimate reason of their attraction but covered it's traces by a moment where Alice explains it as if it was scientific. Copper metal in friction contact with another but sparks happened due to dust.

Wish that excuse worked in real life. It does but not on the scale where two people has this obvious tension between them.

Last words, this movie was a good roller coaster ride. Maybe reading the books would shed better light with things, and I hope no review somewhere out there from a fan of the book felt completely blasphemed and disappointed for all the missing bits they enjoyed from the book.

P.S. Kit Harrington died early in this film, I didn't know it was him until I realized in his dying moments.

Watch Me: bus rides with Captain Fantastic

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How much do you regret missing to watch a movie when it showed in your cinemas? That's right, immensely, and that my friends is how I started feeling when I watched director Matt Ross' Captain Fantastic.

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Starring a father and his family of six children on a quest to rid their lives, not really since they're completely smart and able for their age/s, of life ignorance from the forest they used to live in and discover the world through an awesome bus ride back to their mothers home town to evidently emotionally move on after her departing with drastically wonderful familial results.  

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No words can fully describe the magnificence of the story besides the accurate title itself, fantastic. 

There's something about a family coming of age relevantly intelligent comedy drama that sounds vibrantly complicated. Of course, to me that's a perfect description of the Cash family and their growth through the course of this story.

To those who are blatantly curious the Cash family decided to live their lives in the forest in hopes of helping the matron of the house to recover from her mental illness, according to wikipedia is Bi-Polar disorder; please excuse my lack of remembrance to that particular detail. From hence, they have lived their lives in a well did make shift lodging in the middle of the wilderness and living their lives like indian nomads.

Cutting down to the chase, there are several playing topics that hits the story fairly well and how realistic the issues that were tackled in it. Besides the growth of select characters upon being thrown into the real world, the greatest of it plays upon the role of Ben and the choices he and his wife made to their family. They were the bud of difference and radically apart from all the growing complacence and spoiled life style of modern day man. Teaching their children practical survival skills they will need in their everyday life in and out of their forest. 

From there you can already tell that there would be question to their ability in adapting to modern day mans life, with which the question is it worth keeping the uniqueness of your life just to retain abhor against society's lifestyle that sounds like an everyday brainwash propaganda. This was playfully shown as they first encounter their taste of modern family man by spending time in their mothers sisters house. 

Character growth is clear and distinct, changing at the right time and progressing in a pace that is considerably enough to show the characters of how strong their family as individuals are. There really is little to praise and critic to the flow of Captain Fantastic. Every fiber detail is neither impossible nor dull. The realism compelled rawness befitting that of how gentle they touched the issues and solved it with grace.

Elegance reeked the tale of Captain Fantastic and worth a watch that will open your mind to concepts of how a critical mind works in a body of a complex emotional. Enjoy the involvement that they show more human than anyone could ever see.

  

Watch Me: How to Be Single and not just the statement

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These days, it's promising to encounter stories that just blatantly tells an absurd realistic connection between relationships. As a filipino, I always encountered cheesy romances that can simply touch and make you laugh by the local bunch. But nothing compared to the blatant liberated passion of a story that needed to just tell you everything is gonna be fine after a long ride. Like all feel good movies, How to Be Single by Christian Ditter, is a good reminder nothings wrong for a certain type of stereotype called being Single. 

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Story revolves around the friends Alice, Meg, Robin, and a fourth girl, entirely does not interact with any of the three girls but connected only through one character, named Lucy. Below lists all the nicest poking moments flowing for the story.

A. Nice beginner tutorial about realizing the life of a workaholic, free spirit, kindred spirit, and a trying hard to be a robot

B. The men here doesn't miraculously flock around the women, they actually have the sense to fall for their personalities

C. Possibly makes the location a place filled with parties, I think IT IS

D. Coining the term Dick-sand for a character who loves being the kindred spirit without thinking that she herself might be her own kindred spirit

E. Women who are in-love are total ass holes and douche bags to those who one sided-ly pursues them, which isn't a secret to anyone

F. It's a one step at a time guide to living your life as you pleased it

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By far, according to my bias blood, that this movie is the best roller coaster mixed nuts ride that I've watched. Since I'm a sad sap sucker for some fairly well written chick flicks; to me, this movie spells a good letter of recommendations for any person-kind from the Oxford of "a feel good comedy movie worth your try". Not to be completely recommending this movie without warning anyone that there will BE character stereo-tropes and predictable scenarios, cheesy lines maybe, but over all best in representing emotional realism when it comes to recovering from a break up, desiring to break away from being single, and just enjoying your self for being single.

I couldn't go technical for the most part since the entire style of the story is like a book written by a modern yuppie extrapolating her/his experience in the big city by cherry picking scenarios. A typical man-child looking for a new chapter in their life after it has grandly closed behind them. But, all movies are like that, yet so does every media so far.

Might I add that this movie is a perfect flick to recover you from being down, especially when your problem involves life and how un-fucking-fair it has been so far based on your own petty judgement, if you allow yourself to think like so. 

This movie has a specific demographic that completely goes under the dramatic radar. The mix of scenarios will surely still pick their cynical ass up due to it's easy to emotionally relate level. Actor casting doesn't go under and their roles were portrayed justifiably. Scenario blending didn't suck as bad as a certain fantasy movie based from a famous cartoon series, and nothing of the flow did not feel off but at least a fitting piece to the larger picture.

All in all this movie is recommended only to a level where you are a simple person looking for a simple feel good movie.

Watch Me: movie lising: Donnie Darko (2001)

There is nothing wrong with the concept of just clearly messing up time and space. Time travel, cross examination of existence between time lines, I guess making an effort to live life like so, discovering the definition of life changing and life ruining.

These days I find myself not enjoying any much content in any media for various 'I'm tired' reason. This prompted me to just embrace that too sensible or serious side and watch tons of physics and life questioning related movies. Psychological thrillers or just plain existentialism in movie platform are nice to watch, they pull strings that I couldn't feel sometimes. Or I feel it too much I've gone numb?

Last night I skipped working, just a bit, to finally watch Donnie Darko (2001) and a bit of Source Code (2011), since I was too sleepy the hour I watched the latter. Both are movies with Science-fiction concepts, Source Code with the stronger Scifi vibes, and both starred Jake Gyllenhaal, which I just realized when I started to watch Source Code. It wasn't intentional when I looked them up and went on and got a copy of the movies.

Donnie Darko has been in the list of my 'I'm highly curious' but 'I just couldn't get to you due to priorities are different' reasons of not watching it the moment I saw a tidbit info about it. There aren't much of a reaction for me on the movie since everything in it felt dream like, which they are. Fun was one word for the story, where in a sense the ending clearly concluded a good ending for the plights of Donnie who was clearly disturbed mayhaps for a semi-realistic or purely science fiction reasons.

Everyone in the world should try and watch Donnie with a sense and purpose of trying to look for easter eggs everywhere in the movie, at least still relating to the story, and never forgetting to set their empathy to a neutral level. Feelings flushed to me when I watched every part of it, shifting every relative sympathy and empathy for Donnie and the characters situation or flow of the story, wherever it lead. On the type of time and space fuck up it used was something I point out as sense of prediction, where everything was a linear end to a means but the ultimate decider still ended with Donnie.

At first you would get a bit confused why the story focused on several lives of characters that seemed insignificant during the course and even the moment they show up in the story, they are however significant in a sense that they formed what kind of Donnie would be by the end of the movie. This story clearly showed a good example of utilizing the characters around the main character, and the setting plot, to evolve them into what they can be. Almost all of them are praise worthy no matter how good or bad, a clear line of grey, their actions were. Except for Frank, who I didn't appreciate how strongly he was present in the whole of the movie, only to be truly introduced to be an almost third tier character related to Darko. His significance was the greatest yet he was the most irrelevant in terms of relation.

That itself makes me think that the person who wrote this story is that awesome, kudos Kelly.

The heaviness of the movie, due to all the psychological elements in it, tends to steer you completely away from the ending that was evident, a clear and obvious sign of Donnie's death or might be the end of his known world. The end can be interpreted in any way possible, but one thing was sure, it was the end for Donnie and him alone. Imagine being flooded by such thoughts at a young age clearly says something about the mentality of his character.

By the time you watch the climax of the movie you will be filled by assurance and hope that maybe Donnie could find a way to fight the inevitable. The end that he so feared, that, the fear he clearly felt drove him to almost endanger every single person important in his life. You can guess by this time that the end that was meant in the movie was his end, yet you question yourself whether he did choose to travel back in time or was it all truly in his head. Evident to the waking dreams of each character that made a grave distinction in his story, to the memorable up to the unpleasant ones.

Questioning the end, like the unconfirmed ending for Inception, is also another sign for me that the movie has truly caught your attention. Whether you get to have an answer for that won't matter, since the movie itself has already finished its purpose.

Telling a tale and making the viewer think for themselves of what is happening, to me, is a very captivating but taxing movie. You'd have to be a mental freak, or curious high mind; or a brain masochist, to enjoy one. Mind you, there is nothing wrong about that, it just means you'd rather have a high end mental entertainment in a level of which you'd rather not want to loose your mind in the course of enjoying everything. On the other, it's nice to get almost mindless and ignorantly stupid, site Angry Birds movie characters, which can also happen during the course in Donnie Darko.

There are that many elements emphasized to make you aware and even shallowly depressed, but it doesn't mean it won't pull you up. Life ups and downs are strongly evident in this story, and nothing short of the term roller coaster will truly miss a beat.

I feel like a child that missed out after watching this movie, now my inner child isn't missing out anymore, except I just need a different kind of outlet to make myself happier than the normal happy. The ignorant happy kind.

Unpopular Opinion 2-oh-something

Listening to Ruth B's "Lost Boys".

Depicting a story about someone finding their way to a figure like Peter Pan and all the Lost Boys, plus the world of Neverland. I refuse to categorize the gender of her main character in the composition, if she was the one who composed the song, should've looked it up. Either way, resounding songs of juvenile and explorative lines rings through the song like a lovely string of quartet kids laughing around posies and in share spreading giggly life into the gardens of the lost eden.

Yet, this song sang differently for me, as all listeners of any modern released singles and budding musicians in the industry. The song will obviously be subjective and even have an obviously selective crowd, probably the ones who will be enticed by the tune like me (evidently not underrated due to the obvious 34M+ views and 432k likes by youtube statistics).

Stories are pretty song in poem format, sometimes I don't get it in one go and makes me want to listen to them multiple instances whenever I felt like. Maybe in lonely times or in occasions when I feel like drowning myself with a new found song and just let the gush of emotions run through. Like Lady Gaga's "Million Reasons", but this song didn't just ring me up something romanticized.

Through my minds television, I saw my characters from Tamtam, the story playing forthrightly like it never left me. Scenarios string between broken verses that originally did not fit each other. One scene was something from an arch of the story yet to be written, while one connected to the unwritten in the currently written one, maybe will be the consequence of their actions in the future. Like a prediction to what should, but soon it would fade and another scenario would fill it's gap as the song continues to flow.

Until the end, and when I play repeat again, there it is Tamtam, running in my minds TV like a never ending movie.

I've always loved it when my mind feels fueled by music, as if an auto-MV would suddenly direct itself without any supervision from me but the subconscious imagination I've previously done, either repeating or being revised. This kind of thing happens to me tons of times in my younger days. But when I got into the world of "being too tired to even bother for this shit" (work life, normal employee life), I've begun to loose the energy to write or even draw.

That moment of my life was the saddest I've been, besides my indulging to my jealousy, that's a completely different story right there.

There isn't much of an unpopular opinion here, just, that I've forgotten to mention. That if I'd give a gender to the character in the song, I would stick to the original characters from the book the song and the origin of the term "Lost Boys". Wendy, maybe, or just a random girl trying to find her way into a lonely world. A lonely world she just probably couldn't form into a less lonely one due to the lack of motivation. Quote-and-quote.

Sort of completely indulging it like a romantic song, or a coming of age song for the girl. Where she finds someone like a Peter Pan, dragging her away from the lonesome reality and covered her in the magic Peter always brought with him in his pocket, or Tinker Bell even though she wasn't even mentioned in the song. Rude now that I thought of it. (at least it was mentioned as pixie dust)

Think like that, comparing the girl and finding her self in the story, as if all she needed was companionship all along. But, what if it came the time that she realized she couldn't be with her Peter Pan anymore. Like Wendy.

I may dub this an unpopular opinion, but I guess it's an unpopular opinion only to me, you see. There might be just a time right now, currently in my life, that I've just realized that I have woken up from a sort of Neverland. That soon I feel like Wendy leaving Peter Pan and onto a reality. Just a feeling.

There isn't much, just, the change feels painful. I've begun to slowly loose the patience and ability to easily accept things. Mayhaps it's a great change that it feels difficult compared to the other changes in my life. Still, it feels painful, but good just like the song.  

Pretending to be Inimitable

I used to have a story where the mother of the heroine, heroine named Rui, and her mother was the governess of realms. Like a queen, who used to have a husband but she soon let him go because of political reasons. The man was driven out by her and the council, and soon married a woman who was simple and needed him as well.

I remembered how I always felt that Rui's mother always looked sad but satisfied, knowing that she once loved the man she knew she would always be loyal to but her life and everyone around her prevented them from being together. Sort of like, she became workaholic, and somehow he didn't see it. He believed they could be together, but she knew there we're lesser chances of them being together, and to spare them the pain of it she decided to cut off her ties with him.

Left to her was their daughter, who understood how her mother loved him. The story had them as side characters, but somehow, that's how I wrote her. And that character was almost based to be mine, the mother, the queen.

What a foreboding thing to write about. How selfless but selfish the mother was to the pain, that soon even Rui her child would be solemn but optimistic. Rui was the reason why the met again, not because Rui wanted them to be together again in the flow of the story. The child was intended to save their realm from a certain danger, and it so happened that she needed her father and mothers help to do it.

They helped her of course, but their reunion was only a short time as both of them now has their own lives to live. He to his new family and she to her thrown that she must bravely and strongly govern.

I never knew how painful it felt when I wrote / imagined it, actually, I do. Just that, right now, I feel so sad. Especially for Rui who I sincerely feel her secret want for her parents to be together, but she had learned to accept both their families because she knew she couldn't force them into what she wants.

There's a certain finality with the way I wrote her mothers story. Rui's mother and her father were main characters to a previous story of mine. They we're lead characters in it, the father was the guardian of Rui's mother then, they ended up falling in love with each other. Silently vowing their support to each other like a pendulum of flowing fate.

But circumstances broke them apart, plus the desire for each one to fulfill something they couldn't fill for each other. That in the end, somehow they broke apart. Farther away from the pain.

Rui's mother is a selfish martyr who smiles proudly as she see's the man she once loved happy. While the man, who looked on smiling thinking she was good and well. Not knowing truthfully to each other that somehow they still love each other. Rui knew, but couldn't just ruin the lives they've built.

Definitive and painful. That's how I imagined my characters ending would be. By their subjugation into a circumstance that broke them, I gave a certain goal an opportunity to grow, however tragic, horrific or selfless this goal made them end up to be. Such willies of mine are completely painful. Right now my tears won't stop shedding for them, for those in similar state.

For children who hoped their parents would be together again, yet couldn't. To people who knew the truth of their friends reality, but couldn't help but watch as they unfold a painful disaster happen. All the helpless romantic emotional struggle of the third party who wants to say they shouldn't give up, they must have hope. Don't let that heart weaken. Strive to hold on.

Find a way to hold on. There is still hope. You know there is. Or should you tragically die a heroine or hero, who thinks they're doing the selfless thing when no martyr who died did not think once of regret for their efforts. That even saints surely in their time of death told God of how regretful they may die young, but grateful they will go back to his arms.

Find a way to hold on. And maybe there might be something to save from it. Hoping.

Also, hoping that the thing I wrote got conveyed pretty well even if it was written cryptically.

Bound in Blood . Preview Art1

Good day! In celebration for the release of Bound in Blood's (facebook) kickstarter here are some raw artworks posted online by the artist, yours truly!

 

Preview of the two important characters in Dave Ugarte's life.
You'll have to read the comics to figure which of the two is his romance and rock.

Study for Dave Ugarte's character design

Dave Ugarte's final design

So far the basis for the three characters are really diverse, Allison was originally based from a different actress but not someone that looks like Jennifer Lawrence. Although the feel could have passed as Kate Beckinsale or the likes. Having her look soft and pleasing to the eyes was the ultimate aim in contrast to Claire who is peppy and quite the character with a robust personality.

It was also a challenge for me to produce a specific look for Dave since the first chapter had little personality to show for him but only to his loyalty to the justice, and his loved ones, after the events of his past. So I depicted him somewhat borderline with an unsure expression but stern, that would soon be covered by a beard later on in the story.

Conversing with creator Patrick Goforth about the fruition of the characters was quite a thrill, specially crossing the lines of the character descriptions to pencil and paper.

To know further about them and their roles in the story pass by our kickstater and support our cause!

Bound in Blood (blood soaked claws of mystery and drama)

movie list: Inside Out (animation 2015)

Just so you know watching a movie with a really wide and diverse creativity potential sometimes really ticks me, especially when it's only targeted in one specific market.

That's what me and my friend thought of when we shared opinions about the recently shown movie Inside Out. Damn Pixar giving feels to Feels.

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Inside Out is a movie about emotions in a sense that they are portrayed in a creative cartoon (3D) way. The movie was targeted towards the masses of kids that I'm assuming ranges from 6 to 99 and generally includes the young at heart, mind, soul, maturity, etc. The plot revolves around the main characters pack of emotions as they struggle in a phase of the characters, namely Railey's, life where she struggles to cope with, as my dear friend who keeps on affirming that its, depression or possibly the simplistic first time for a child's life to experience depression (no I don't find the whole thing simplistic, but hey, for kids, fooooor kids).

The movie was engaging and very peppy, and yes the colours are needed for reaction,  I think they did a really intricate study on what to use or do in the levels of the story. Since, well, the whole adult concept of the plot is explaining Psychology for the mind of a kid, or what it can be in a simplified form of educating what their diverse emotions are and what they do (or become, once they become adults). 

Truly, the only thing I was impressed the most is the opportunity to explain that change is needed to grow, even in who or what you are. This movie showed one of the most beautiful representation of how your personality or character grows with time. Like what the significance of each of your thoughts should be and how jumbled your mind can take in once something has been robbed from you.

Personally I reacted more to the viewers and which of the emotions they liked or disliked. I've only had two peoples opinion to base on this but it really shows what kind of character or personality they have on what they felt for each emotions in the movie. Of course, the greater the reaction is the higher it is more likely to guess what they like and dislike towards a human being. I'm not saying its a sure call for the guess, I could probably ask, but it's not my work to study peoples reaction towards any kind of dramatic or intriguing story.

Any who, me and those two friends did an analysis to what we saw from the movie. We listed the top three emotions we were linking ourselves with. Honestly though, it's difficult, because for me each one of the emotions are linked to what I am. Maybe, what ever I do I won't probably know. Since, as I said, currently it's not my job, yet.

The movie is a ride, it didn't strike me too much, till the part I saw about the cats and what the emotions were doing in their head (spoiler, a bit). Now that part of the ending was BEAUTIFUL, it was spot on. Damn.

Guessing. With the way that I placidly watched the struggle of the characters, their growth in adapting to the whole conflict. I've experienced and seen soo much of sadness and depression that I've begun to be "numb" to it. That sometimes I think I understand them, but I really don't and need more information or story, and even have the heart to help. But I've gone through time, and now my age, that I begin to care for other things.

Growing up is painful, but I'm thankful that I experienced majority of the depressing and selfish parts of it earlier. Besides that part about romance. I really did not know I could grow and learn or accept it till now. That maybe another story in its self.

theatre list: Into the Woods (1991 live on broadway)

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Seriously. This Play is my comfort food, I just enjoy this show, especially the 1991 cast.

There is this unsatisfied craving of mine to roam the realm of Broadway or Theatre Plays, and just watch like a normal patron. Unfortunately I don't always have the means to satisfy that craving to watch shows in Broadway or Theatre Plays, besides the fact that its so rare to follow the schedule for such entertainment here in our country. It's also expensive. Of course I always forget to check the schedule of them theatre's, which is also a niggling negative factor to me cause of the distance in travel.

That in the end I always resort to searching online for a nice torrent copy of some recorded show, like this one I found from 1991. This is also the first version of the play I watched, besides the one that I remember. One of my elder cousins did back in her college days, she's part of the art crew and her boyfriend then was an actor of sorts in the story.

Just having the nostalgic factor, plus my fascination towards fantasy stories and the concept of children's stories from famous known ones crossover to each other is just fascinating. Basically I'm a fan of the concept and the story of this broadway production, however I really don't know much about the actors and actresses. They however did an amazing job, they're categorized as my all time favourite, despite knowing that there may be another performance with a greater cast or sorts. Preferences be.

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Either way, this baby was remade into a movie at the end of 2014 that caught me so off guard that I spazzed in front of my boyfriend. He literally saw a tear go down my cheek. I mean, look at it, it's got two of my favourite hollywood actor and actress. Meryl Streep and Johnny Depp, yes I am a fan of the two, I just love both their personality off cam and the way they portray or act. Even if the story or the movie sucks, when they act somehow it gets well justified. In a sense.

Back to the Broadway version, the story itself is very fulfilling. For some it is damn boring and dull, trust me, a lot of people around me just doesn't get enough from all the semi action of the psychological and mental warfare of almost anything dramatic. The story itself has not much drama, as it seems to focus more on the essence of humour. There is a twinge of realistic "karma" concept in the story as we all know almost all fairy tales have a weird and idealistic happy ending. Unlike in the real world when you get what you want or you do what you want, usually some kind of bad karma is waiting around the corner, no matter how long it takes to come or how quick it just pops out of nowhere.

At a young age, and a tad buff into the realm of fantasy, I loved that the stories can portray elements that in my mind makes quite mental sense in a heightened psychological way. Even now I enjoy re-watching the whole Broadway version because of the rawness I see when the actors and actresses play on the stage.

movie list: The Odd Life of Timothy Green (fantasy comedy drama 2012)

Yesterday was a very bad time to have feels, due to the unceremonious head ache I acquired because of the lack of sleep I gained the night before. Slept 4 am and woke up just 6 hours after. Least of my funny feels reward was that I spent my afternoons resting slash watching a random movie in HBO.

The film I encountered was quite a ride, it was simple, and again it felt like there were loop holes but I couldn't see them to the blurry eyes I acquired at the end of the movie.

The title of the film: "The Odd Life of Timothy Green"

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The movie was about a story of a couple and their experience of being parents to a child that randomly lived with them after some fantastical nature filled events one night. I'm missing the point of giving a point by point flow of the story so I'm going to make it plain and short.

*laugh laugh* *feel* *annoy* *feel* *laugh laugh* *awe awe* *annoy* *feel* *heavy feels* *cry in the corner*

That is the best synopsis I can give anyone due to the nature of the stories flow and events. It's not badly directed, in fact its very favourable. Like reading a book. Characters and their personalities are vaguely realistic, to a point of being over board. The most that hit me hard was the concept of Timothy Green himself, he was naive, and wise (plus he reminds me of my OC and a story I have yet to fix *ha ha*).

Innocence that could put any adult to shame. The adults I best refer to is the parents in the movie, which I can say is actually a very sane thing to do. Parents whose insecurities has built up that they couldn't even be honest even to their selves and the people around them.

The concept though of the parents taking care of a child for how many months and just saying its the back story of their reason to be good parents (something akin to proof of being) to the adoption agency they were telling the whole story about Tmothy to. It confused me at first mind you why they were retelling Timothys story to these two corporate looking people, just to reveal that they were some kind of agents from an adoption agency (assuming, due to the ending).

If it becomes a reality bite, I would say that everything in the story of Timothys life felt symbolical. As if it was true, but the way it was just portrayed was symbolical. Saying, in my own interpretation, that Timothy was born unexpectedly, linking it to the scenario of the couples family and how they felt about introducing him to them. The couple might not have showed young Timothy around because he was kind of sickly. Up until a point though, when young Timothy convinced them to give him a good childhood life. Lets say a trip to the doctors that supposedly went well.

The story goes along Timothy was diagnosed about something the kid accepted was inevitably leading to death, he felt more, however the parents were convinced that he shouldn't worry about it or it might get worse. Devising that instead to insinuate positivity in his life. A thing that might help him cure himself. Spending each time as if it were their last. Experiencing several things they used to not believe in but in the end have considerable and solid proof that they should believe in due to a miraculous proof as if an act of in-deterrable faith.

Until in the end when all things life could give them as a family was done, the sickness brought upon in time and stole the one thing that made them grow up as a family. The child the couple so wanted. That in the end, until Timothys death, was not something wasted but is an investment of strength emotionally gained. Something the couple couldn't have by just being themselves, thinking that maybe Timothy was an accidental birth.

I'm just saying anything can be the interpretation of the story or the truth behind the story of Timothy Green. There is of course no truth but only what the story could tell us.

Oh I wish Annette could be born the same way. Without drama, I wish.