Sunday, July 12, 2015

manga list: Pluto (seinen)

Urusawa Naoki is one of the mangakas that really hit me in the spot. I know I've expressed something about his works before but I don't remember how thorough I gave my impression of it. Thinking, maybe I have expressed that over whelming "fuck you author you made me think, i love you" emotions I always have when I adore a work of fiction, but with a different titled book of his.

My only method of being a fan girl is common, again here I am going to express it by drooling over one of the afore mentioned mangakas work, and the focus is pointed out on one of the insanely coolest "doujin collaboration" I have ever encountered in my life as a netizen. PLUTO.

The manga has been listed in my head as one of Urasawas works that I needed to read, besides Monster and 20th Century Boys. I've actually started reading it multiple times but never got to finish it as I have the habit of having the best luck in deciding to read the manga in the wee hours of my desire to rest (or my body's sleep time clock). Recently I've just read and finished it, so far I've still got my feels for it albeit just expressing it lightly here.

Source
The story is set in the universe of Tezuka Osamu's famous anime/manga Astroboy, with a little real life tweaking from Urusawa. Thus I dub it as "doujin collaboration", its a real grand doujin with actually having a famous author approved to use the characters of a legendary artist.

Story goes that a murderer is out to kill the most advanced AI's known to man in their current time. Its trace cannot be subjected to man as there is no traces of and neither a robot for no robot has ever disobeyed one of the greatest laws it was built with. To solve this case a highly sophisticated robot named Gesicht from Interpol was assigned to solve it and the mysteries that will intertwine deeper in the story. Its a very emotional chase, not that action packed, but like Urusawas style, strikes a chord inside your belly by his method of story telling.

Like most of his works, he highly focuses on the development of each involved characters into something you can surely sympathize on a scale of familiarity. They dissolve each mystery and insecurity upon the slow progress of the case into fairly dissected emotions and philosophical theories. Meeting up to this point or getting choked up into dying before even solving the case, you'd be caught analyzing even for them the rational and sensible questions even you yourself can relate highly.

His style is not focused on the action packed sense and almost all the fight scenes are limited to a quick shot put battle. The longest was at the end which was tasteful as seeing everything was beginning to make sense and has now a clear path to tread on for an actual purpose to fight. This reminded me greatly of Dianne Wayne Jones method of writing. There are so many moments of build up and release but never to a point that it explodes on your face because a new build up was going to catch you just in case.

This method of writing is captivating to me, albeit I clearly remember forbidding myself to read Urusawas works due to it being emotional to a pin prick point ouch to my heart. Giving a reader as much small leeway when it comes to the climax is like a good sex, and I don't know why I compared that to sex but lets just say thats that.

I don't know much about the characters histories in Tezukas Astroboy universe so I have little to compare to, except of course for Atom/Tobio. Tobio was the only robot that I clearly know, or a wee bit well than the others, due to me encountering a series about him in my childhood days. And he is basically the famous of Tezukas success.

Tobio was one of the reasons why I wanted to read the manga, although I like Gesicht as well. I was captivated on how he was portrayed in the story. Clearly a great contrast to his counterpart in Tezukas universe. Honestly, I can blame Urusawas method as most of the action packed thrill of the universe was mellowed down. Still it gave me a satisfying taste when I saw that he depicted Tobio as a completely normal boy.

Normal in every sense. He was a caring brother and child to the elders. Respectful and generous if given. The desire to yearn has built in his system like a good child should. Over all he was too perfect as an AI but imperfect as a human being. Which was one of the main points of the story. Urusawa built the concept of the plot towards the identity of an AI that can copy a human but never be completely human because they do not have that one universal concept man is greatly known for. The irresistible urge to hate.

Robots cannot innately hate anyone unless they were programmed to, and of course even in this universe who would want to implant something explosive in the body of a bigger threat against anything living. Hate was the one thing that, by concept  of Dr. Tenma in the manga, would make a robot perfectly like a human. I quite agree in that, eventually it made me think if i compared a human specie against any creature from the category of the animal kingdom. Conclusion though, at some degree we are the same but for the reasons, which may contrast and greatly vary on occasions.

But implanting hate into a robots AI, is simply monstrous as it is clear in evident and even in fictional history that hate is the one thing that can burst human kinds bubble into a dwindling race of ashes. Running on it like an endless energy drink can bring the world or any creature into its end, especially if given the right kind of imaginative device of destruction. Something even the robot characters involved in the story shudder and regret the greatest upon their moment of death.

Clearly alot of people are aware of this, but are they competent and strong enough to fight one of the strongest and perfect imperfection of man called hatred?

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